wuthering heights retold with catherine and heathcliff as lava lamps
LYDIA WEI
Whitechapel
why did you betray your own
heart, cathy?
for weeks and weeks afterwards
i coughed limp cells, fluorescent fish
eyes, pulped onion bulbs
of brake cleaner.
you were my light once: now,
i knock the backs of my eyes
to cross you in the darkness again, hoping
to find the impossible halogens bordering love
and death. i listen to the rumbling
tungsten
thunder i know to be your cry, watch
the tetrachloride
algae blooms i know to be
your eyes
Learning to be your daughter is like walking
down Brick Lane, every employee barking at you
London’s most famous curry ‘til you don’t know who
to trust anymore, who you could hang your head before
and cry to. I meet you at a brunch spot that’s overly
self-conscious. When our eggs arrive in silly little egg-cups,
I wonder if you think they look like toys, stupid
dolls you could still mold to your demands. If this
were a dream I’d lean back amicably, comfortable
like Buxton Street poplars bent in the wind. I’d laugh
at all the right beats and tell you bad stories about my
flatmates, my rejected manuscripts. If this were a dream
I’d get up and leave right now. At Whitechapel
Gallery I try to explain the paintings to you, all these
sharp remarks I’d practiced weeks beforehand with flash
cards, but you think contemporary art is too confrontational
so you’d rather wait for me in the lobby. Now I’m stuck
pretending to be somebody I’m not to nobody. The walls
are white like crushed eggshells or skin stretched over
knuckles. I stare at a Sanya Kantarovsky painting.
I like the aqueous cytoplasms of color, the way the greens and
beiges belch and bubble on canvas, snot-smeared
and sniffling, as if waiting for me to look away. It looks
like a contemporary painting of a cell division. It looks
like a contemporary painting of an embrace. Suddenly
I’m scared of all the things I could never tell you, suddenly I’m
running out of Whitechapel Gallery and lurching onto
Brick Lane and when I hear the first employee say to me
London’s most famous curry I hang my head before him and
cry, his baffled expression growing as I blubber on until
finally he takes my hand and slips a voucher for two free pints and 25%
off inside, ushering me into the restaurant’s warm recesses
with more gentleness than you ever had.
Lydia Wei's poems appear or are forthcoming in The Adroit Journal, wildness, The Margins: Asian American Writers' Workshop, harana poetry, and elsewhere. Her work has been recognized by the National YoungArts Foundation, the Foyle Young Poets of the Year Award, and the National Scholastic Art and Writing Awards. She lives in Gaithersburg, Maryland.